The Fringe Festival demonstrated how promising the future is for the Hua Hin venue - even without state funding
The expatriate community in Hua Hin was "very excited" about the festival, she says, "and many expats returned week after week, buying the top-price tickets and donating money and becoming great supporters of ours".
"Some are retired here and others are here for a few months," Patravadi notes. "They see that Hua Hin has good infrastructure and modern conveniences, but the town has always lacked culture - but now it's complete."
She frets, though, that the festival won't survive without government support.
"We spent Bt500,000 re-staging 'Phra Lor' and got back Bt40,000 in ticket sales. Because the notion of going to the theatre is new to people here, we gave away a lot of free tickets to familiarise them with it. Hopefully they'll return."
With its inaugural festival completed, the 30-rai, Bt500-million art centre - which will soon have its own Patravadi High School with accommodations for students and teachers - continues operating at full strength, notwithstanding the financial risks.
"Schools, both local and overseas, are interested in our arts camp, and when the high school opens on May 17 we may get some additional profit to cover the cost of productions."
Starting on March 20 for four consecutive Saturdays, the company's Silpathorn winner, Manop Meejamrat, will re-stage "Eclipse", one of the 10 best productions of the last decade.
That's followed by the likay "Sudsakorn", and then in May a new production by Kru Lek, based on Thai songs about Hua Hin.
"These productions will premiere here and then hopefully go to other theatres where we have connections - in Bangkok, Ratchaburi and Samut Sakhon," she says.
"Nakhon Ratchasima will have a new theatre for likay, and Bangkok will have a new theatre on Sri Nakarin Road where Tik Shiro and Kyle Dillingham will perform in June.
"These are our new alliances. Of course, it would be better if the governors of these cities talked to one another more about this."
Kru Lek wishes high-ranking government officials would visit the Vic Hua Hin. The Culture Ministry gave her a starring role at the press conference where it unveiled its "creative economy" mega-project, so it looked as though the Vic would be getting major support. The opposite occurred.
I drove to Hua Hin three times for the Fringe Festival, found the traffic smooth, and was able to return to Bangkok on the same day.
The five-hour, 400-kilometre drive is not the exhausting ordeal some people might imagine, particularly when Hua Hin replenishes the body and spirit with fresh seafood and unpolluted air - not to mention the invigorating stage shows.
The festival's curtain raiser - "The Carnival of the Animals" concert by Bundit Ungrangsee, his wife Mary, and their professional-musician friends including the mesmerising piano couple Artas and Indhuon Balakauskas - proved that Western classical music has relevance to Thais.
It was also refreshing to see the world-renowned conductor play the storyteller, connecting the movements in the Saint-Saens masterpiece.
Less memorable was violinist Paye Vie Trio, who seemed to think he was performing solo.
On the second weekend, "Phra Lor" looked and sounded better than it did at its premiere in Bangkok, although lead actor Sarawut Martthong remained unconvincing. Regardless, with enough support, this show could represent the Thai performing arts anywhere.
It was thought provoking to watch Pichet Klunchun rework his dance dialogue as a solo the following weekend, with explanations (in English, oddly) and demonstrations of the different movements in regard to the past, present and future of khon.
The new venue, though cramped backstage, proved it can serve various genres. Better air-conditioning would make it a more pleasant experience.
Also gratifying were the shows by both locals and foreigners and professionals and students at Dome Dokmai, a flower-bedecked outdoor space where you can munch on local snacks and desserts.
Source: The Nation More info: www.vichuahin.com